Sor Juana Inés de la Cruz

Procura desmentir los elogios
que a un retrato de la Poetisa inscribió la verdad,
que llama pasión

Este, que ves, engaño colorido,
que del arte ostentando los primores,
con falsos silogismos de colores
es cauteloso engaño del sentido;

éste, en quien la lisonja ha pretendido
excusar de los años los horrores,
y venciendo del tiempo los rigores,
triunfar de la vejez y del olvido,

es un vano artificio del cuidado,
es una flor al viento delicada,
es un resguardo inútil para el hado;

es una necia diligencia errada,
es un afán caduco y, bien mirado,
es cadáver, es polvo, es sombra, es nada.



She tries to refute the praises
inscribed on her portrait by Truth,
which she calls passion

This, that you see, this colored treachery,
which, by displaying all the charms of art,
with those false syllogisms of its hues
deceptively subverts the sense of sight;

this, in which false praise has vainly sought
to shun the horrors of the passing years,
and conquering of time the cruelty,
to overcome age and oblivion's might,

is a vain artifice cautiously wrought,
is a fragile bloom caught by the wind,
is, to ward off fate, pure uselessness;

is a foolish effort that's gone wrong,
is a weakened zeal, and, rightly seen,
is corpse, is dust, is gloom, is nothingness. 

                     (©Alix Ingber, 1995)



 E-mail your comments and questions to:

Alix Ingber
Professor of Spanish
Sweet Briar College

ingber@sbc.edu



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